THE TEMPEST recorded
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POLSKI
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12. 01. 2026. Department
Acting

On December 18, the play THE TEMPEST staged at the Studyjny Theatre was recorded using fiber optic technology.

The actors performed the show on the stage of the Studyjny Theatre in Kopernika Street, and the recording and post-production took place – simultaneously – in the Multimedia Services Department at the Lodz Film School in Targowa Street.

The recording was made as part of the Television Production class led by Dariusz Kamiński. The following students participated: Theo Baunsgaard, Łukasz Dryżałowski, Maksym Mulak, Yashila Nautiyal, Gustav Thiis-Evensen, Matylda Wiśniewska, Filip Ziarko, Andrei Dlabač, Magdalena Domaradzka

THE TEMPEST
Direction: Tomasz Fryzeł
Production design and costumes: Anna Oramus
Lighting direction: Klaudyna Schubert
Music: Nikodem Dybiński

Cast:
Marcel Barra, Julia Jaroszewska, Bartłomiej Kotwica, Jędrzej Matwijów, Dominik Nikitorowicz, Anna Pentz, Krzysztof Świłpa, Kamila Tytło, Alicja Wieniawa-Narkiewicz, Milena Zając, Krystyna Zajkowska

STUDYJNY THEATRE
Light production: Aleksander Wirowski, Filip Superson, Mateusz Grochowiecki
Sound on the set: Emil Ruszczyński, Artem Litviniuk, Bartosz Adamiak Make-up: Aleksandra Pływacz
Technical team: Artur Straszyński, Michał Klimaszewski, Piotr Górski Cooperation: Bartosz Adamiak
Studyjny Theatre Manager: Anna Sieczych

TV STUDIO AT THE LODZ FILM SCHOOL:

Technicians: Łukasz Depczyk, Sławomir Masina, Marek Chrustowski, Vladyslav Apanasenko
Sound engineer: Sławomir Walczyk
Lighting designer, technician: Artur Wiecha
Production management: Artur Wiecha
Production coordinator: Magdalena Piasecka
Multimedia Services Department Manager: Joanna Kornelia Kubik

You can see THE TEMPEST live at the Studyjny Theatre in Łódź, next shows: January 15, 16, 17 and 18.

TICKETS to be purchased at: teatrstudyjny.lodz.pl/repertuar

"The Tempest" is a story that unfolds over the course of several hours on an island far from any known land, during which all the characters are confronted with their sins, desires, weaknesses, and above all, their past and identity. The storm is the atmospheric phenomenon that initiates the action. It is also the state in which the characters find themselves throughout the action—as individuals and as a community. It is a state of heightened self-discovery. When the state ends, the storm subsides. The world, transformed, returns to normal. "The Tempest" is not only a story full of twists and turns about the characters' adventures, but also about the adventures of their consciousness, imagination, and conscience; a matrix of experience that opens up to the observer. It is a story about gaining self-awareness and finding ways to build relationships with a dynamic self, a dynamic world, and a dynamic identity. And finally, "The Tempest" is a story about art: its power to transform all those involved. About its inherent ability to imagine those we are not, and that which has no physical form.

How do I play Ariel? How do I portray breath, thought, presence—words in action? How do I play Caliban, the one who situates himself beyond language? What does it mean to be the King of Naples? What makes him this character? And how, as a twenty-three-year-old actor, can I imagine myself as Prospero, ruler of Milan?

The show is co-financed from the budget of the Łódź Voivodeship Government.

photos: Wojciech Bryndel